Zoé Tullen
Bio
“Zoé Tullen’s artistic practice is grounded in a simple observation: machines, like wxmen, are subjected to patriarchy through shared mechanisms. Whether in physical or virtual space, her three-dimensional work reveals the objectification experienced by these two groups—human and non-human. (…) At once sculptural and pictorial, analog and digital, and therefore non-binary, her works also open up the binary logic of computer language to other possibilities.” Claire Contamine, 67th Salon de Montrouge, 2023
Zoé Tullen is currently continuing her research on the invisible links that connect our bodies to technology and to normative constructions. She is notably developing a new installation that, through interactive and deliberately faulty electronic mechanisms, revisits the dollhouse as an early form of “gender software.”
Born in Geneva in 1993 and based in Marseille, Zoé Tullen graduated from the École nationale supérieure des Arts Décoratifs in Paris in 2019. She has since exhibited in France, Switzerland, and Germany. Her work has been recognized by several platforms dedicated to emerging art, including the Prix Utopi·e (winner, 2025), the 67th Salon de Montrouge (2023), and Jungkunst, Winterthur (2022). Recent solo and group exhibitions include Art Genève (2026), Centre Wallonie-Bruxelles (2025), AtelierHaus of the Canton of Geneva, Berlin (2025), One Gee in Fog, Geneva (2025), Hiflow, Geneva (2024), Espace Le Carré, Lille (2024), Galerie Dix9, Paris (2024), and Galerie du Crous de Paris (2023).